Who or what could possibly bring together Tom Morello, Ben Harper, Steven Van Zandt, Chuck D from Public Enemy, RZA from The Wu-Tang Clan and one of Bob Marleyâs grandsonsâall inside a jam-packed, 500-person capacity Roxy Theatre on the Sunset Strip in West Hollywood, no less? The answer: Wayne Kramer.
There is no overstating the influence that Wayne specifically has had on the music world over the last 60-plus years. As the lead guitarist in the Detroit rock band MC5, he helped to lay the foundation for punk rock (and, really, all forms of brash, counter-cultural music) in the 1960s.
Even after MC5 disbanded in 1972 due to drug abuse and government harassment, Wayneâs impact persisted. The Clash wrote âJail Guitar Doorsâ about his incarceration for selling drugs to undercover federal agents, and that in turn became the name of Wayneâs foundation for bringing music rehabilitation to prison inmates.
And then, there were those who grew up on Wayneâs innovative and evocative guitar work. Like, say, a kid from Libertyville, Illinois named Tom Morello.
Turn on just about any Rage Against The Machine song and you canât help but hear Wayne and MC5 echoing through every head-banging, foot-stopping, pugilism-inducing riff that Tom twists out of his instrument.
It should come as no surprise, then, that Tom was among the first and most noteworthy names to commemorate Wayneâs passing when the punk rock legend succumbed to pancreatic cancer this past February.
âBrother Wayne Kramer was the best man Iâve ever known,â Tom wrote on Instagram at the time. âHe possessed a one of a kind mixture of deep wisdom & profound compassion, beautiful empathy and tenacious conviction.â
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In putting together his benefit shows for Wayneâs foundation, Tom proved to be one of a kind in his own right.
After co-hosting an acoustic show with Jackson Browne at The Hotel Cafe in Hollywood last month, Tom returned to his electric roots with a star-studded, soul-stirring set at the Roxy that was a fitting tribute to Wayne in every facet.
There were, of course, strong notes of MC5, from an appearance by Brad Brooksâwho sang with the most recent iteration of The Motor City 5âto a cover of âKick Out the Jamsâ with Steven Van Zandt of E Street Band fame on lead guitar.
But the setlist wasnât about the catalog of one band or another (though Rage fans in the house certainly werenât disappointed by what they heard). Instead, the tracks reflected the ideals and activism that Wayne pushed and popularized throughout his life, and that have since been picked up and carried forward by people like Tom.
Tom and his band put together a raucous rendition of Bruce Springsteenâs righteous ode to âThe Ghost of Tom Joadâ. Ben Harperâwho was a force in his own right as Tomâs warmup actâand Abraham Marley, the son of Ziggy Marley and grandson of Bob Marley, propelled a compelling cover of âGet Up, Stand Up”.
Toward the end, Chuck D, Tomâs bandmate in Prophets of Rage and a self-described âWayne Kramer baby,â came out to perform Public Enemyâs âFight The Powerâ, which included a nod to the now-infamous Project 2025. That came just prior to RZA grabbing the mic to remind the crowd that âWu-Tang Clan Ainât Nuthing ta Fâ Witâ, closing out a segment Van Zandt called “THE MOST INTENSE TEN MINUTES THAT HAS EVER EMANATED FROM A STAGE” in a post after the show. The night then closed with a brief version of John Lennonâs âPower to the People.â
By and large, though, Tomâs Wayne Kramer tribute consisted of songs from his own deeply commentaried repertoire.
He opened with âSoldier in the Army of Loveâ, playing guitar alongside his 13-year-old son, Roman Morello, just as he did on the recorded version that dropped this past June. Father and son also rocked out together on âOne Last Danceâ, Tomâs collaboration with grandson for the soundtrack of the latest Venom movie.
The 60-year-old tapped into his folksier, more Pete Seeger-inspired side for âOne Man Revolutionâ, from his album as The Nightwatchman, then veered toward a bit of instrumental blues with âCato Stedman & Neptune Frostâ from his 2020 EP, Comandante.
Tom harkened back to his partnership with Bring Me The Horizon on âLetâs Get The Party Startedâ, and dedicated âHold The Lineâ, another of his tracks with grandson, to union workers everywhere.
At one point, Tom talked about performing at the Roxy with Wayne and, separately, with Chris Cornell, the late lead singer of Soundgarden and Audioslave. He dedicated a performance of Audioslaveâs âCochiseâ to those two men and anyone else whoâs suffered painful losses, while leaving the main mic open in their memory.
No electrified performance by Tom would be complete without at least a little Rage. To that end, he more than held up his end of the bargain.
The set featured not one, but two medleys of Tomâs riffs from the Rage Against The Machine catalog. Fist-pumping favorites like âTestifyâ, âTake the Power Backâ, âWake Upâ, âBombtrackâ, âKnow Your Enemyâ, âBulls on Paradeâ, and âSleep Now in the Fireâ filled every corner of the cramped room at The Roxy.
The highlight of the night came toward the end, when Tom and his band played âKilling in the Nameâ in its entirety.
Or, rather, as much of its entirety as they could without the searing, signature shouting of Rage frontman Zack de la Rocha. In his stead, the packed house yelled out every one of the few words in the song, releasing at least some of the pent-up energy thatâs lingered since Rage last played in Los Angeles back in 2011.
Related: Run The Jewels Brings Out RATMâs Zack de la Rocha In L.A. [Photos/Videos]
Whether that particular bunch of Wayne Kramer babies ever returns to the stageâafter disbanding in the wake of Zackâs ruptured Achilles tendon that put an early end to Rageâs 2022 tourâremains to be seen.
Until then, it will be up to Tom, his son and his numerous other collaborators and acolytes to carry on Wayneâs legacy of powerful music and revolutionary activism.
Below, view the setlist and a selection of photos and videos from the loaded Tom Morello & Friends Jail Guitar Doors USA fundraiser at the Roxy Theatre.
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